The Ubiquitous Melancholy of Max Richter
By Jane Bua · The New Yorker · November 2026
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"The composer’s song “On the Nature of Daylight” has popped up in countless sob fests including “Arrival” and “Hamnet.” With billions of streams, he’s become one of the most popular and successful composers of our time."
Read full essay at The New Yorker ↗
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